Description
Inside this edition · 內頁樣張
A chapter opening and two pages from the body of the book. Reproduced from the PDF you receive after purchase.
关于此本 · About this edition
《随园诗话》，清袁枚撰，十六卷，又补遗若干。其书无体系，亦不求体系：或记一联之工，或述一诗之本事，或载闺秀、方外、商贾之作，皆随手札记。袁氏之主張只一句：诗主性灵，不主格调。此语针对当日以摹古为能事者而发，故为正统所恶，而书独流行。十八世纪中国人如何谈诗，赖此书得存其声口。
Yuan Mei wrote down whatever amused him about poetry: a good line by an unknown, a bad line by a famous man, a poem by a woman he never met. His theory, such as it is, is that poetry should be alive rather than correct — a direct attack on the imitation of the ancients. The sixteen scrolls are formless on purpose, and they are the best record we have of how poetry was actually talked about in eighteenth-century China.
内容 What you get
- 十六卷全 — all sixteen scrolls
- 条目分排，便于随翻随读 — items set apart, readable in any order
- 所引诗句随文而存 — quoted couplets kept in place
- 内嵌文本层，可全文检索、可复制 — selectable text, searchable and copyable
底本与权利 Source and rights
底本为「殆知阁」公版古代文献库所藏标点本之转录，属公有领域。版式、封面与说明文字为本店自制。
The base text is a public-domain punctuated transcription from the Daizhige corpus. The typesetting, cover and notes are ours.
注釋 · Editorial notes
编次 十六卷依原次；卷内条目之序号照录，另起一行。
人名 袁氏所举多小家，有名仅见此书者，一依底本，不加考订。
引诗 称赏或指摘之句并入散文，如原书体例。
字 简体；残字已剔。
Sixteen scrolls in order, the source’s item numbers kept. The hundreds of minor poets Yuan Mei names are printed as the source has them, without identification. Simplified characters.
