Description
Inside this edition · 內頁樣張
Contents page, a chapter opening, and a page from the middle of the book. Reproduced from the PDF you receive after purchase.
关于此本 · About this edition
《梦窗稿》，宋吴文英撰。吴文英词以密丽著称，一句之内数层转折，意象与意象之间不作过渡，读者须自己补出关联。清代周济、戈载推之为宋词之极则，王国维则斥其「映梦窗，零乱碧」。两说并存，正说明此书之难：它不是不好读，而是要求读者慢。
Wu Wenying moves by association rather than narrative: an image opens onto a memory, the memory onto another scene, and the links are left to the reader. Qing critics argued over whether this was the highest reach of the form or a mannered dead end. Either way the songs reward slow reading, and the edition keeps the musical modes the source records beside each tune.
内容 What you get
- 分卷编次，调名下标宫调 — scrolls in order, musical mode under each tune
- 双调分片，留空一行 — stanza break kept
- 缺字以方框照录，不臆补 — lost characters shown, not guessed
- 内嵌文本层，可全文检索、可复制 — selectable text, searchable and copyable
底本与权利 Source and rights
底本为「殆知阁」公版古代文献库所藏转录本，属公有领域。版式、封面与说明文字为本店自制。
The base text is a public-domain transcription from the Daizhige corpus. The typesetting, cover and notes are ours.
注釋 · Editorial notes
宫调 底本于调名旁注「无射商」「俗名越调」等，记其歌法，本书照录。
缺字 底本有数处方框，为原刻漫漶之字，本书保留方框，不作补字。
分片 上下片之间空一行。
注 底本无笺注，本书不补。
Musical modes are kept as the source prints them. Square placeholders mark characters unreadable in the base edition and are left as they stand. No commentary has been added.
